Beginning Guitar Curriculum
The guitar curriculum contained in my book, Beginning Guitar for the Classroom, A Comprehensive Approach, focuses on three distinct areas of study: popular-style, classical, and guitar ensemble. All three of these areas are integrated into every lesson, each reinforcing the same objective of that lesson. Below, you can download a pdf of the entire beginning book or, utilize the eBook, which includes audio recordings of all the exercises, songs and repertoire (as well as a few tutorial videos). All gratis.
The beginning book below is designed for a one-year, two-semester class. As stated above, it integrates popular-style, classical and guitar ensemble into each lesson. Popular-style skill is developed by learning basic chords and strumming technique in the context of learning popular, mostly classic rock songs. Each song is presented as a song chart so that students immediately begin the music-reading process. By the third lesson, the concept of beats, time signatures and basic rhythms are in place. Students will then begin to learn how to read standard notation, one string at a time, and always in the context of learning and performing teacher/student duets. These duets are important not only to develop reading skills, but also so that students learn how to listen to another player and to a common beat. Most importantly, duets allows music-reading development to be relevant, engaging and fun. By the second semester, students will prepared to begin learning classical guitar as well as guitar quartet music.
By the end of the school year, students have will have learned a substantial amount of skill and musicianship in all three areas. In the area of popular music, the class final is Stairway to Heaven. The classical final is Estudio, by Francisco Tårrega. Both of these pieces are quite impressive for a first-year student to learn and play.
Note: Stairway to Heaven is a demanding song to learn, especially for beginners. Early on, when rock was far more popular than it is today, most students had heard this song and were greatly motivated to learn it. More recently however, I've found that significantly fewer students listen to rock, let alone heard Stairway. Without an awareness of its popularity and relevance to guitarists, the drive to learn this song is greatly diminished, and therefore, success is less likely. As a result, I've been teaching only the first page (Letters A (the forbidden riff) and B. This has worked out great. Student success is much higher than if they tried to learn the entire song. More importantly, like all the other classic rock songs in the book that most students hear for the first time, students learn to love this song.
Below is a pdf of the Beginning Guitar Book for you to download for free. You have permission to distribute this book to your students as digital or hard copies. However, you are strictly forbidden from receiving compensation in any form or context from this book or any other material on this website. This includes your recordings of my compositions and arrangements. Thank you.
By downloading this curriculum, you understand and agree to the above terms.
(Updated 2/24)
Beginning Guitar for the Classroom
eBook Format
This format is highly recommended for teachers to use in the classroom as well as for students to use while practicing.
intuitive and peaceful." – Sarah Dawn, K-8 Music Teacher
another section of guitar after the word got around!" – James Mock, Ed.S., Richmond Hill Middle School
1st Semester
I've been asked by other guitar educators how to pace the book. First, since the book is divided into two semesters, the long-term goal is to complete each half of the book by the end of the fall or spring semester, respectively. Within each half, the pace really depends on a few factors. How often does your class meet per week? How long is each class session? Are the students able to practice at home? In my school, each class session is 1.5 hours long and will rotate between meeting twice or three times a week a week. I expect my students to practice at home, particularly on days class doesn't meet. In that context, I am able to comfortably get through the book at a relaxed pace.
A & D Chords, The Beat
Lesson 1 - Ex. 1
Lesson 1 - Ex. 2
Lesson 1 - Ex. 3
Lesson 1 - Ex. 4
Beatles - Get Back
The E Chord, Rhythm
Rhythm Ex. 1
Rhythm Ex. 2
Rhythm Ex. 3
Rhythm Ex. 4
Rhythm Ex. 5
Rhythm Ex. 6
Rhythm Ex. 7
Strumming Pattern 1
Strumming Pattern 2
Strumming Pattern 3
Strumming Pattern 4
Barton Hollow
Songs
Bob Seger - Hollywood Nights
Snow Patrol - Chasing Cars
Blind Melon - No Rain
The G & C Chords, Reading Music
G to C Progression
Chord Progression No. 2
Beatles - Paperback Writer
Already Gone
Reading Music
This lesson also introduces the student to reading standard music notation, which will prepare them to play classical guitar and ensemble music in the spring semester as well in subsequent years in my guitar program, which is heavily dependent on students having solid music-reading skills. Students will begin by learning the natural notes in first position, one string at a time, and always in the context of learning duet melodies. In this lesson, students will learn the notes: E, F & G on the first string. When playing the duet melodies, it is important that students use a rest stroke and alternate between the index and middle fingers.
While the duets in this and subsequent lessons in the first-semester portion of this book are an effective and engaging way to learn to read music, they are not reliable when assessing music-reading ability. Keep in mind that the goal of learning these duet melodies is not necessarily to have students play these melodies, but to read them. Since these duets are learned and reviewed during class, there is no way to determine if the student actually learned them by reading them. Because of the repetition of the review and the reinforcement of hearing other students playing the melody, some students could easily have learned the melody by ear or even by placing tablature indicators in their music. Therefore, in order to accurately asses true music-reading ability, I've found that a sight-reading test, with no more than 5 minutes of preparation, is the most effective and reliable gauge.
On the bottom of page 13 below, there are sight-reading exercises that will closely resemble test examples (see Appendix). All the examples are four measures long and incorporate the rhythms discussed in Lesson 2 and 3, including quarter, eighth and half note rhythms.
11. Lesson 3, Ex. 1
11. Lesson 3, Ex. 2
Duets
Below are two recordings of each duet. One is the melody and metronome only, the other is melody with accompaniment. In order to grasp a better understanding of rhythm, I suggest that the student first learn to play these melodies in the context of a beat only. At this early stage of music-reading development, the accompaniment can sometimes be a distraction from the student truly understanding the rhythmic component of the melody, which could create a significant deficit in the student's music-reading skill.
Duet No. 1
Duet 1, Melody only
Duet 1 with Accompaniment
Duet No. 2
Duet No. 2
Duet 2 with accompaniment
Duet No. 3
Duet 3, Melody only
Duet 3 with accompaniment
Duet No. 4
Duet 4, Melody Only
Duet 4 with Accompaniment
Sight Reading Practice
1 - 13. Sight Reading
2 - 13. Sight Reading
3 - 13. Sight Reading
The Minor Chord, Notes on the 2nd String
Exercise No. 1
Between the Shadows
Bob Seger - In Your Time
Neil Young - Heart of Gold
Melodies With Notes on the 1st & 2nd String
Dust in the Wind
Dust iin the Wind (Melody Only)
Dust in the Wind (w/Accompaniment)
2nd String Player
2nd String Player (Melody)
2nd String Player (Accompaniment)
The Beast Ring
The Beast Ring (Melody)
The Beast Ring (w/Accompaniment)
Melodies With Notes on the 1st & 2nd String
BE BE String
BE BE String (Melody)
BE BE String (w/Accompaniment)
Dance de la Hachas
Dance de la Hachas (Melody)
Dance de la Hachas (w/Accompaniment)
Pavana III
Pavana III (Melody)
Pavana III (w/Accompaniment)
Andantino in C
Andantino in C (Melody)
Andantino in C (w/Accompaniment
Andantino in C (Accomp. only)
Study
Study (Melody)
Study (Accomp. Only)
Sight-Reading Examples
Again, if you are interested in assessing your student's music reading skill and would like a copy of my sight-reading tests for this and/or other lessons, send me an email, and I will be happy to send it/them to you.
1 - 21. Sight Reading Practice
2 - 21. Sight Reading Practice
3 - 21. Sight Reading Practice
4 - 21. Sight Reading Practice
5 - 21. Sight Reading Practice
6 - 21. Sight Reading Practice
F Chord, Notes on the 3rd String
The Whole Night Sky
Pearl Jam - Wishlist
Melodies on the 3rd String Only
Air on the G String
Air on the G String (Melody)
Air on the G String (Accomp.)
Dance on the 3rd String
Dance on the 3rd String (Melody)
Dance on the 3rd String (Accomp.)
Melodies on the 1st, 2nd and 3rd Strings
Allegro in C
Allegro in C (Melody)
Allegro in C (w/Accomp.)
Menuett
Menuett (Melody)
Menuett (w/Accomp.)
Spanish Dance
Spanish Dance #1
Spanish Dance #2
Sight-Reading Practice - 1
Sight-Reading Practice - 2
Sight-Reading Practice - 3
Sight-Reading Practice - 4
Sight-Reading Practice - 5
Am & Dm Chords
50's Cliché
Bob Dylan - Knockin' On Heaven's Door
Pink Floyd - Another Brick In The Wall
Fleetwood Mac - The Chain
Chord Review - Motel 6
Eagles - 28. Take It Easy
DEF JAM (Melody)
DEF Jam (w/Accompaniment)
DEF Tones (Melody)
DEF Tones (w/Accompaniment)
DEF In It (Melody)
DEF In It (w/Accompaniment)
Pachelbel Canon (Melody)
Pachelbel Canon (w/Accompaniment)
4-String Melody (Melody w/click)
4-String Melody (w/accomp.)
Again, page 33 below has a note review as well as 4-measure sight-reading examples that closely resemble the examples in the actual sight-reading test for this lesson. If you would like a copy of the actual test, send me an email.
Sight-Reading Practice - 1
Sight-Reading Exercise - 2
Sight-Reading - 3
Sight-Reading - 4
Sight-Reading - 5
The two duets below are no longer contained in the book, but I kept it here in the eBook, just in case you find it useful.
Duet 1
Duet 1 - Guitar 1
Duet 1 - Guitar 2
Duet 1 - Guitar 1 & 2
Duet 2
Duet 2 - Guitar 1
Duet 2 - Guitar 2
Duet 2 - Guitar 1 & 2
12-Bar Blues
Jack Johnson - Home
Natalie Merchant - Build A Levee
Play BAC (Bass only)
Play BAC (Accomp.)
Menuett (Bass Only)
Menuett (Bass & Melody)
Andante in C (Bass Only)
Andante in C (Bass & Melody)
1 - Sight Reading Practice
Sight-Reading - 2
Sight-Reading - 3
Sight-Reading - 4
Sight-Reading - 5
Sight-Reading - 6
Sight-Reading - 7
G7, C7 & B7 Chords
Sting - Fragile
Tango to Evora
Otis Redding - Sittin' On The Dock
Eagles - Heartache Tonight
Notes on the 6th String
Flamenco Flirt (Bass Only)
Flamenco Flirt (Accomp.)
Strolling Down 5th Ave (Bass only)
Strolling Down 5th Ave (Accomp.)
Mr. Travis Taks a Walk (Bass)
Mr. Travis Takes a Walk (Accomp.)
Pachelbel Canon (Bass)
Pachelbel Canon (Accomp.)
Eagles - Saturday Night
1 - Sight-Reading Practice
2 - Sight-Reading Practice
3 - Sight-Reading Practice
4 - Sight-Reading Practice
5 - Sight-Reading Practice
6 - Sight-Reading Practice
The Bm Chord
Bm Chord Exercise
Sting - Fields of Gold
Pink Floyd - Comfortably Numb
Accidentals
Student - Maestoso
Teacher - Maestoso
Student - Jesu, Joy of Man's Desiring
Teacher - Jesu, Joy of Man's Desiring
Guitar 1 - Arietta
Guitar 2 - Arietta
Guitar 1 & 2 - Arietta
Guitar 1 & 2 (+ Fl. & Cl. - Arietta
Sight-Reading Practice - 1
2 - Sight-Reading Practice
3 - Sight-Reading Practice
4 - Sight-Reading Practice
5 - Sight-Reading Practice
6 - Sight-Reading Practice
Adding Notes to Chords
Coldplay - Don't Panic
Guitar 1 - Bourée
Guitar 2 - Bourée
Guitar 1 & 2 - Bourée
Guitar 1 - Allegro
Guitar 2 - Allegro
Guitar 1 & 2 - Allegro
2nd Semester
Rock
Sus4 Chords
Eagles - Certain Kind of Fool
Simon & Garfunkel - El Condor Pasa
Classical Guitar
p-i-m Pattern
Study No. 1
Study No. 2
Slow - Allegro
Moderate Tempo - Allegro (w-click)
Moderate Tempo - Allegro (no click)
Guitar Ensemble
Ode to Joy - Ludwig Van Beethoven (1770 - 1827)
Quartet - Ode to Joy
Guitar 1 - Ode to Joy
Guitar 2 - Ode to Joy
Guitar 3 - Ode to Joy
Guitar 4 - Ode to Joy
Rock
Sus2 Chords
Beatles - You've Got To Hide Your Love Away
Classical Guitar
p-i-m-i Pattern
Study No. 3
Fernando Carulli - Prelude in G
Matteo Carcassi - Allegro
Dionisio Aguado - Estudio
Guitar Ensemble
Finale - Camille Saint-Saens (1835-1921)
arranged by Lou Warde
+Camille Saint-Sans
Quartet - Finale
Guitar 1 - Finale
Guitar 2 - Finale
Guitar 3 - Finale
Guitar 4 - Finale
Rock
Add9 Chords
Exercise No. 1
R.E.M. - The One I Love
Stairway to Heaven
Admittedly, Letter E is a rhythmically-demanding section. There are time signature changes in every measure and there are a couple of spots that will be particularly challenging. It will take awhile for most students to get this section down. I've intentionally left out rock and ensemble material in the next lesson so that time could be spent on this section of Stairway to Heaven.
To the guitar teacher, I've found that by breaking this section down into smaller segments, isolating those trouble spots, and going over these sections daily will be most effective in getting students proficient as quickly as possible. Also, to assist you in helping prepare your students, I've provided three recordings of this section. The first is with acoustic guitar and click track only, and is at a slightly slower tempo than the actual recording. The second is the same version as the first, but with the recording added, just so they can begin hearing and playing this song in the context of the band. The third is the actual recording of this section of the song at normal tempo.
Lastly, it is completely fine not to learn the whole song, including Letter E. Most players are satisfied learning only the Intro (Letters A & B). If you find yourself in a time crunch, or, if this song is a bit too much for your students, I recommend to at least learn the Intro.
Guitar only - Stairway (E)
Guitar with Recording - Stairway (E)
Led Zeppelin - Stairway Excerpt (E)
Classical Guitar
p-i-m-a Pattern
Ferdinando Carulli - Prelude in A
Matteo Carcassi - Prelude in C
Guitar Ensemble
Finlandia - Jean Sibelius (1865-1957)
arranged by Lou Warde
Quartet - Finlandia
Guitar 1 - Finlandia
Guitar 2 - Finlandia
Guitar 3 - Finlandia
Guitar 4 - Finlandia
Rock
Bar Chords
Coldplay - Politik
Stairway to Heaven (G)
Flamenco Flirt
CCR - Have You Ever Seen the Rain?
Stairway to Heaven
F
Guitar Only - Stairway to Heaven (F)
Stairway to Heaven (F)
Classical Guitar
p-i-m-a-m-i Pattern
Lou Warde - Study
Mauro Giuliani - 78b. Etude No. 1
Note: This is supplemental and not found in the Beginning Book.
Rock
The Am Formation Bar Chord
Eagles - Hotel California
Bob Seger - Against the Wind
Classical Guitar
Combining Patterns
Mauro Giuliani - Study
Joseph Küffner - Ländler
Stairway to Heaven
D
Guitar Only - Stairway to Heaven (D)
Stairway to Heaven (D)
Guitar Ensemble
Be Thou My Vision - Traditional Irish Melody
arranged by Lou Warde
Quartet - Be Thou My Vision
Be Thou My Vision - Gtr. 1
Be Thou My Vision - Gtr. 2
Be Thou My Vision - Gtr. 3
Be Thou My Vision - Gtr. 4
Rock
The A Formation Bar Chord
Cheryl Crow - Home
Stairway to Heaven
B
85. Stairway Excerpt (B)
Classical Guitar
Two Notes Played Together, Pedal Notes
Ferdinando Carulli - Waltz in A
Leopold Meignen - Waltz
Matteo Carcassi - Andantino
Matteo Carcassi - English Dance
Rock
Syncopation
Stairway to Heaven (C & G)
Bob Marley - Stir It Up
4x - Stairway to Heaven (C)
Led Zeppelin - Stairway to Heaven (G)
Step 1 - Stairway to Heaven (G)
Step 2 - Stairway to Heaven
Step 3 - Stairway to Heaven
Guitar Ensemble
Here is Love - Traditional Welsh Melody
arranged by Lou Warde
Quartet - Here is Love
Guitar 1 - Here is Love
Guitar 2 - Here is Love
Guitar 3 - Here is Love
Guitar 4 - Here is Love
Classical
Patterns Emphasizing the Ring Finger
Classical Guitar Final
Francisco Tarrega - Estudio
Matteo Carcassi - Prelude
Rock
Stairway to Heaven (A)
Stairway to Heaven (A)
Slow Tempo - Stairway to Heaven (A)
Fingerstyle Patterns in Popular Music
(Optional)
Plain White T's - Hey There, Delilah
Travis Picking
SLOW - a. Travis Picking on a C Chord
Dust in the Wind
Kansas - Dust in the Wind
Slow - b. Dust in the Wind Intro
Slightly faster - c. Dust in the Wind Intro
Freight Train
Slow - Freight Train
Moderate Tempo - Freight Train
Fast - Freight Train
Hallelujah
Jeff Buckley - Hallelujah
Guitar Ensemble
Yosemite – Lou Warde
Quartet - Yosemite
Guitar 1 - Yosemite
Guitar 2 - Yosemite
Guitar 3 - Yosemite
Guitar 4 - Yosemite
Stairway to Heaven
Rock Final
In the recording of the Final Version below, the repeats at letter F & G are not reduced, as it shows in the music. (I had a hard time justifying cutting short Jimmy's guitar solo.) So, with the solo at full length, it made structural sense to also keep G full length too. Therefore, if the student will be testing with the recording, they will play letter F (10X) and letter G (7X), as the full length recording.
Lastly, as time moves on and styles in music changes, the popularity and relevance of rock music has diminished, as have the staples of the "classic rock" era. I've found this to be true with Stairway to Heaven. This is a tough song to learn for a beginner. Without a strong desire to learn this song (which most of my students in the past four years have never heard of), it has not been worth the effort to teach the whole song. Therefore, I've only taught in first page (Letters A & B), which most people only play anyway,
Full Length - 106. Stairway To Heaven
Class Final Version - Stairway to Heaven